My art, my family, my friends, my environment all impact what I do in and out of the Studio. These are just observations, thoughts, ideas and chatter about anything and everything. Photography by B. NEAL
Friday, January 23, 2015
An Open Letter to the Decemberists from Sam Hunter
An Open Letter to the Decemberists – Quilts and their makers have value
Hey Decemberists! I see you have a shiny new album, with a really cool cover (that I read was designed by Carson Ellis, your frontman’s talented wife):
Image credit to The Decemberist’s website at http://www.decemberists.com
And clever you, you’ve decided to raffle off a couple of quilts made to look like the cover:
Image from The Decemberist’s Blog at http://www.decemberists.com/news/itunes-first-play-a-beginning-song-released/
Who wouldn’t want such a pretty quilt? I wonder who made it? I can’t find that information anywhere. All I could find (before the entries closed) is the estimated value, a ridiculously low $388.
I’m guessing that, perhaps, (hopefully?) none of you have ever made a quilt, because if you had, you’d know better. So, as a member of the quilting community, and one willing to publicly bear the torch for us being treated well, I have a few things to say to you:
The art of a quilt isn’t just in the materials, any more than your music is in the plastic of a CD and its case. The art is in the intellectual property, and the skill to render it into form. The hard work it took to learn how to do it right is a huge factor. Just as you didn’t get good at your art overnight, neither do most quilt artists. It takes practiced skill to know how to build a set of triangles into something pretty, just like the skill it takes to arrange a set of chords to make beautiful music. How would you feel if we raffled off your music for the value of the plastic, without saying who played on the album?
As artists who’ve “made it,” you have a certain amount of power. You’ve done well. You’ve made it through an incredibly tough gauntlet of toiling in dodgy dives for a few bucks and cheap beer. You’ve got fans, enough visibility to get a day named after you in Portland, and a record company to help distribute your music. You’ve got a pulpit. Now use the power of that pulpit to help other artists.
Tell us who made the quilts. Link them up so they can maybe get some business out of it. Pay them properly (because I know you know the lie in being asked to do your art for “exposure”). And get those quilts properly appraised so that you don’t perpetuate the idea that we like sewing for cheap. Because we don’t – we are worth SO much more.
I know that most people think quilt makers are a bunch of older ladies with nothing else to do, but I’m here to set that story straight. Many of us make our livings in the $3.7B industry that is quilting. Yes, the B stands for BILLION. It’s a huge deal, even if it isn’t visible to you, so let me run down some sewing economics for you:
First up – there’s the talent. We quilt makers often spend years honing our craft. Sort of like musicians do. It takes a lot of practice to get good at sewing. And lest you think “anyone can sew”, how would you feel if I said anyone can strum a few chords and yell into a microphone?
The equipment is expensive too, not unlike the cost of guitars or drums. Yes, you can get a cheap machine, but they work like a cheap knock-off guitar sounds – like crap. And there are all sorts of things you need to have to keep them running. Like spare parts and good techs to do the tweaking.
Then there’s the cost of materials. I can’t find any details about the size of the quilts you’ve offered, but let’s go with an educated guess of 40” x 60”. I see at least 20 fabrics in there, and assume the minimum purchase for the top alone was about 6 yards. Premium fabric is running around $13 a yard, and you’d need about 3 yards to finish the backing and binding. So 9 yards at $13 is $117. Plus batting (let’s call it $20). And threads ($10 for the good stuff). So we’re at a conservative $147 before we talk about labor.
At $388 less materials, we have $241 with which to pay the artist. I’d bid 6 hours to work out the design, and around 15 for putting the top together, assuming nothing goes horrendously wrong. And for the record, I sew FAST (a skill that has taken 25 years to develop), and on an expensive, fast machine. It would take a couple of hours to put together a back and turn it into a quilt sandwich. It takes 2 hours for a quick and dirty quilting job, 10 for something custom and amazing. Another hour to make a binding, and three more to get it on with a hand finish (which is how many of us do it). At the low end, we’re talking 27 hours. $241 divided by 27 puts the labor at less than $9 an hour.
Do I have to point out that $9 and hour is an insult to ANY skilled artist? That my mechanic charges $99 an hour? That my friend just gave a plumber $13,000 for about 4 days of work? That $9 an hour, if you’re lucky, gets you “do you want fries with that?” and an order that isn’t screwed up?
Those quilts are worth far more than $388. And our industry cares about crediting who makes things (after being invisible behind centuries of anonymously made quilts, we’re kind of rabid about knowing who the makers are). So from one group of artists to another… give us a hand, OK?
Cheers ~ Sam Hunter
I've copied this from Facebook and printed it here, in my blog, because it says it all.